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January 4,
2010
FOR IMMEDIATE RELEASE
For more information, please contact:
G. Gary Moyer, Executive Director
(814) 472-3920
SAMA, NATIONAL ACADEMY NAMED RECIPIENTS OF GEOFFREY WAGNER
ESTATE
Loretto – Eleanor Jackson Piel, the Executor of the
Estate of Geoffrey Wagner, announced today that the National
Academy Museum and School of Fine Arts (National Academy) in
New York City and the Southern Alleghenies Museum of Art
(SAMA) in Loretto, Pennsylvania, are the primary recipients
of the largesse of Mr. Wagner’s Estate.
Ms. Piel
stated, “It has been an honor and a privilege to serve the
Wagner estate. Geoffrey, who was a noted author and teacher,
and his wife Colleen Browning Wagner, who predeceased him
and was a talented artist, were outstanding individuals and
their love of the arts and culture will continue on through
this bequest. In the execution of my duties, it has been a
pleasure to work with William Meek, Director-Owner of the
Harmon-Meek Gallery of Naples, Florida, with G. Gary Moyer,
SAMA’s Executive Director, and various attorneys,
accountants and financial advisors. We are confident that
the National Academy and the Southern Alleghenies Museum of
Art are committed to promoting, preserving and protecting
works of art and making available to the public education
about art. These were the goals of the Wagners.”
The Southern
Alleghenies Museum of Art is a community art museum founded
in 1976. It is the largest repository of Colleen Browning
paintings in the country. SAMA successfully operates four
museum facilities in the southwestern Pennsylvania cities of
Altoona, Johnstown, Ligonier, and Loretto. It has the
unusual mandate of not only showing works of art but of
educating the community with regard to art. To that end, it
has both exhibits and programs for adults and children of
the community.
According to
G. Gary Moyer, SAMA’s Executive Director, “This generous
gift from the Estate of Geoffrey Wagner will help the
Southern Alleghenies Museum of Art to establish a cultural
legacy for generations to come. As the largest repository of
Colleen Browning paintings, SAMA is proud to honor an artist
of Browning’s talent and stature. Our mission to preserve,
exhibit, and advance American art complements the wishes of
the Wagner Estate. The Estate funds will enable us to
recognize the artistic vision of Colleen Browning
(1929-2003) and to introduce others from across the country
and around the world to the mastery of this American artist.
She has been recognized as a major American realist painter
of the latter half of the twentieth century. SAMA is excited
for the opportunity to initiate a number of projects that
will serve to reintroduce Colleen Browning to the art world.
During her lifetime, her realism was a brush against a
strong current of abstract art. At another time, in another
place, Colleen Browning would most certainly have received
instant acclaim for her artistic talent and her rich body of
work. We intend to bring her work to the fore at this time,
which is a period more friendly to her style and uniqueness.
SAMA plans to develop a major monographic book about Colleen
Browning and her work, and offer scholarly expertise for a
curatorial project honoring her multifaceted career and
artistic legacy.”
The National Academy in New York City, which
opened its doors in 1825, is the other beneficiary of Mr.
Wagner’s estate. The National Academy houses one of the
largest collections of 19th and 20th
century American art in the country. Colleen Browning had a
significant career in New York with many exhibitions and
shows at galleries, such as the Kennedy Gallery, and
museums. Browning’s work was included in the National
Academy’s yearly exhibitions. She had the honor of being
elected a National Academician in 1966 and then served as an
officer of the Academy.
Carmine Branagan, Director
National Academy stated, “In addition to being an
accomplished artist, Colleen Browning was an active National
Academician. Thanks in large measure to its artist members
such as Colleen Browning, the National Academy houses one of
the largest American art collections in the country. The
distribution of funds from Geoffrey’s (Wagner) estate to the
National Academy comes at an opportune moment in its long
history. Under new leadership for the first time in over a
decade, the staff and artist members are identifying bold
new directions and mapping out sound strategies for the
future. One project in particular dovetails elegantly with
Geoffrey’s wishes: our reinvestment in and re-imagination of
the institution’s relationship with its remarkable
collection of American art. The receipt of funds from the
estate of Geoffrey Wagner will play a leading role in
reinvigorating the institution Colleen Browning so
cherished.” |